| coin in your hand. After the effect is performed they will believe that somehow you |
| extracted the coin from your hand without being able to detect this. The reality, |
| however, is that you used Intention of Reality to create a coin in your hand after which |
| you simply revealed there was actually no coin. The point here is that, when correctly |
| performed, the audience will believe that a coin was actually in your hand. There |
| perception then is that somehow you got the coin out of your hand to accomplish the |
| The reality we are discussing here is not the property of theater or mime. It is the |
| property of the con artist, spy vs. spy and magic. In these activities the false reality |
| created should never be detected. For example, the perfect con is one in which the |
| mark never realized they were conned. |
| The thrust of all of this is to convince you that the Intention of Reality means intending |
| something to exist. As we have introduced the use of this with coin vanishes, let's |
| focus on an intended coin in your hand as an example. The idea is that you have done |
| some sort of coin vanish in which you have apparently placed a coin into your hand. |
| There is nothing in your hand, but the audience is to believe that the coin is there. You |
| can use your mind to intend the coin to be there. If you look at that feeling or thought |
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