| mixed with longer effects that are more complicated. In general, the tricks should take |
| the audience on a roller coaster ride. One trick is shocking. The next is charming and |
| carries emotion with it. Another trick may have a touch of humor. The main part of the |
| show alternates between these. In about the middle of the show there should be a |
| feature trick. It would be a bit longer and represent a trick that becomes your |
| Some performers attempt to make the entire show a sequence of logic flow. They |
| magically produce a handkerchief. It changes color. They produce a ball from the |
| handkerchief. The ball disappears from here and appears over there. The ball changes |
| color. It changes back to the handkerchief. |
| While this appeals a great deal to the artistic mind, it is impractical. To put together |
| such a show requires a great deal of skill and practice. Furthermore, it might not be a |
| successful sequence. The goal with the suggestions here is to use standard classic |
| magic effects that have been successful over the years. |
| These tricks tend to stand alone. |
| The tricks named below are aimed at new performers. They are inexpensive and most |
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