| stage” for the Matrix performance. I do not know why this is necessary, but it is |
| something I have observed. |
| Another problem emerges when Matrix is done on TV. The camera has the capability |
| of getting up close to the action. The result is that the pickup move seems to become |
| more obvious. During performance at a table of people the cards are held vertical in the |
| hands after the pickup move, or even held flat to the table in an effort to keep the coins |
| hidden from the audience. In the camera eye, this looks contrived and suspicious. A |
| solution is that when performing on TV, rotate the hands so the coins are actually |
| above the cards toward the ceiling. The cards are still tipped toward the camera so the |
| coins remain hidden; however, the cards and hands are in a more natural position. |
| In a sense, what this really says is that Matrix is still under development. |
| Actually, the routine appearing in this book is another step at improving the trick. I |
| have read that true masters are the first ones that will criticize their work. Perhaps they |
| are also the most severe. In my heart, I feel I could have done a much better job of it |
| all. However, when I see its effect upon the real people I perform it for I am always |
| amazed. I am also honored. |
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